All Frederic Edwin Church Oil Paintings

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
 
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Frederic Edwin Church The Cordilleras Sunrise oil on canvas


The Cordilleras Sunrise
The Cordilleras Sunrise
Painting ID::  10669 		  1854; Oil on canvas; 28.5 x 43 in.
  1854; Oil on canvas; 28.5 x 43 in.

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Frederic Edwin Church A Country Home oil on canvas


A Country Home
A Country Home
Painting ID::  10670 		  1854Oil on canvas Seattle Art Museum Washington; 45.63 x 63.63 in
  1854Oil on canvas Seattle Art Museum Washington; 45.63 x 63.63 in

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Frederic Edwin Church La Magdalena oil on canvas


La Magdalena
La Magdalena
Painting ID::  10671 		  1854 Oil on canvas; National Academy of Design, NY 28 x 42 in.
  1854 Oil on canvas; National Academy of Design, NY 28 x 42 in.

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Frederic Edwin Church Scene among the Andes oil on canvas


Scene among the Andes
Scene among the Andes
Painting ID::  10672 		  1854 Oil on canvas National Academy Museum, NY 15.88 x 24 in
  1854 Oil on canvas National Academy Museum, NY 15.88 x 24 in

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Frederic Edwin Church Tamaca Palms oil on canvas


Tamaca Palms
Tamaca Palms
Painting ID::  10673 		  1854Oil on canvas Corcoran Gallery of Art, Washington 27.75 x 36.5 in
  1854Oil on canvas Corcoran Gallery of Art, Washington 27.75 x 36.5 in

Height    Width


  INS/CM       Quality

X

  
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     Frederic Edwin Church
     American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

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